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Friday, April 29, 2005
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6:00 PM
Festival Reception
Gallery at the Courthouse Theater
Festival Opening
7:30 PM
Short Films:
Hop, skip and jump/Troskok
Suggested PG17- Srdjan Vuletic
42 1/2 - Slobodan Leman
A Trip to the Moon/Put na mjesec
Suggested PG13 - Srdjan Vuletic
$25 for entire evening including feature at 8:30 PM, or $12
for 8:30PM feature only
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8:30 PM
Days and Hours/Kod amidze Idriza (feature)
Pjer Zalica
$12
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Saturday,
April 30, 2005
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6:00 PM
Bosnian Feature Retrospective:
Perfect Circle / Savrseni Krug (feature) Ademir
Kenovic
$12
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7:30 PM
Introduction by Vajraca and Hanson
Back to Bosnia/Na put kuci u tudjinu (documentary,
work-in-progress) - Sabina Vajraca
followed by Q&A with Vajraca and Hanson
$10
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9:00 PM
Introduction by Dzemal Sabic
Cor(n)e(r) of the Matter/Kutak za sporni trenutak
(short documentary) - Dzemal Sabic
followed by Q&A with Sabic
Days and Hours/Kod amidze Idriza (feature)
Pjer Zalica
$15 |
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Sunday,
May 1, 2005
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5:00 PM
Bosnian City Commemoration - Srebrenica:
Introduction by H.E. Mirza Kusljugic, Bosnian-Herzegovinian Ambassador
to the UN and Aida Sehovic
Why are you not here?/Sto Te Nema?
(short documentary) - Aida Sehovic and Gates Gooding
Crime and Punishment (documentary) Strongly Suggested
PG17
Maria F. Warsinski
$10
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7:00 PM
Do You Remember Dolly Bell / Sjecas li se Doli Bel (feature)
- Emir Kusturica
$12
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Festival Closing |
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Days
and Hours (Kod Amidze Idriza), Pjer Zalica, 2004, 96’
Days and Hours is a minor masterpiece of restraint. The film
centers around a visit by Fuke to fix his aunt and uncle's heater.
Zalica painstakingly follows their small talk, as they discuss
such issues as boiler parts, grandchildren and Fuke's faltering
love life. Between the lines, though, the mundane conversation
hints at scars the protagonists conceal. In the words of Zalica,
it is a story of people “who had every reason not to be
happy but who made a conscious decision to be happy.”
About Pjer Zalica
In addition to his work as a theatre director and screenwriter,
Pjer Zalica has directed several short fiction and documentary
films, including Children Like Any Others (1995) and The End
of Unpleasant Times, which was part of the omnibus work Made
in Sarajevo (1998), a collection of short films. His acclaimed
first feature film was Fuse (2003). Days and Hours (2004) is
his second feature.
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Perfect Circle (Savrseni
Krug ), Ademir Kenovic, 1997, 108’
Adis and Kerim, two boys aged 7 and 9, find refuge in the home
of a poet whose wife and daughter have left Sarajevo. As time
passes, a closeness develops between the poet and the children.
When the poet locates the aunt and tries to prepare Adis and
Kerim for the journey, they refuse to leave him. The first postwar
Bosnian film, Perfect Circle won kudos from crowds for its authentic,
very human portrayal of life under siege.
About Ademir Kenovic
Born in Sarajevo, Kenovic has realized many
programs and films for Sarajevo Television since 1976. His second
feature film Kuduz was nominated for the “Felix”
award (Award of the European Academy of Film). In 1990 Kenovic
together with Ismet Arnautalic created SaGA (Sarajevo Group
of Authors), which gathers most of Sarajevo filmmakers, professionals
and students as well as a great number of writers, poets, painters,
creators in different fields whose primary mission is to defend
artists’ interests. In 1997 Kenovic’s feature film
Perfect Circle premiered in Sarajevo, and was shown at the Cannes
Film Festival during the Fortnight Directors’ Days.
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Back to Bosnia (Na put kuci, u tudjinu),
Sabina Vajraca, (Work-in-progress), 65’
Shot in a style of cinema verité and interlaced with
personal accounts, this unique documentary follows a family
who returns to Banja Luka in post-war Bosnia in order to reclaim
their stolen property. While there, the family is confronted
with the dissolution of their city and forced to examine the
community they left behind. They stumble upon an exhumation,
visit the sites of war crimes, and seek out the remnants of
a city they once called their own, only to discover that peace
is not always what it seems.
About Sabina Vajraca
Sabina was born in Banja Luka and moved
to the United States in 1994. She has worked professionally
in theater for 10 years, both as a director and a stage manager,
collaborating with such artists as Zlatko Vitez, Miro Gavran,
Kresimir Dolencic, Jim Helsinger, Rebecca Holderness and Susan
Dibble. She is a member of the Lincoln Center Directors Lab
in New York, and 2003 winner of Visa/MSN Ideas Happen Award.
Back to Bosnia is her first film, shown at the Amnesty International’s
Film Festival on human rights in Amsterdam in 2005.
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Hop, skip and jump (Troskok),
Srdjan Vuletic, 2000, 16'
A couple part during the Olympic Games in Sarajevo in 1984.
Nine years later, they find themselves in opposing camps.
She is a sniper in the Serb Army. His only source of nourishment
are the pigeons he manages to trap. She has him in her sights
and starts toying with him. Every time a pigeon approaches
his trap, she shoots it dead. This happens a few times, until
finally he loses his patience. He goes over to the window
and offers himself up as a perfect target...
About Srdjan Vuletic
Srdjan Vuletic was born in Bijeljina, Bosnia Herzegovina.
At the age of eighteen he enrolled in the Academy of Performing
Arts, Dept. of directing. During the 1992-1995 war in Bosnia
he joined a hospital team as a nurse, an experience that was
later to inspire the film I Burnt Legs. His short film Hop,
Skip and Jump won numerous awards.
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Do You Remember Dolly Bell? (Sjecas
li se Doli Bel?), Emir Kusturica, 1981, 90’
Do You Remember Dolly Bell? is set in the Sarajevo of the
mid-1960s. When the government begins relaxing its hold on
individual rights, many citizens don't quite know how to handle
their sudden freedom. The film concentrates on the effect
of an onslaught of Western culture has on a previously "sheltered"
group of young Bosnians. The main characters also adapt to
the Sexual Revolution in a series of romantic (and lightly
censorable) setpieces. Originally released in 1981, Do You
Remember Dolly Bell? won the Golden Lion award for Best First
Film at the Venice Film Festival. Never before publicly shown
in the United States this film will have its premiere at the
BHFF in New York more than 20 years after it was released.
About Emir Kusturica
Emir Kusturica became one of the most creative directors in
cinema during the 1980s and 1990s. Born in Sarajevo and educated
at the distinguished FAMU Academy of Performing Arts in Prague.
Do You Remember Dolly Bell? was his first film.
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Cor(n)e(r) of the Matter (Kutak za Sporni
Trenutak), Dzemal Sabic, 2004, 16’
Batan is the goalkeeper of the Zanatlije football club, competing
in the lowest-level town league in BiH. Their opponent in
the game is the local rival which holds the top position and
has the ambition to move to the next league, which would be
secured with a victory over Zanatlije. The atmosphere is blazing
hot and any silly move on the field is received by the supporters
as a life-or-death event. However, although he's been keeping
the goal of his team for 10 years, Batan, the hero of this
story, doesn't find the result of the game all that important.
About Dzemal Sabic
Dzemal Šabic holds a degree in journalism
from the Faculty of Political Science in Sarajevo, where his
thesis was 'Documentary Film as an Illusion of Reality'. Since
2000, Šabic has been working as a director, scriptwriter
and editor in the Youth and Documentary Programs department
of Bosnian Federation TV. Šabic has made a number of
documentary films, including Comrade Alija (2000), Poets run
an honor round (2001), Waiting for the Bride (2002), Troya-
made in Bosnia (2003), and Return to the DNA (2003).
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A trip to the Moon (Put na Mjesec),
Srdjan Vuletic, 1998, 14’
Aleksandar, a petty swindler from Sarajevo, gets the chance
to be what he always dreamt of.
About Srdjan Vuletic
Srdjan Vuletic (picture left) was born in Bijeljina, Bosnia
Herzegovina. At the age of eighteen he enrolled in the Academy
of Performing Arts, Dept. of directing. During the 1992-1995
war in Bosnia he joined a hospital team as a nurse, an experience
that was later to inspire the film I Burnt Legs. His short
film Hop, Skip and Jump won numerous awards.
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42 1/2, Slobodan Leman, 2003,
12'
Elvir and Bosko were friends before the war, but when the
war came, they were on the different sides. During the war
Elvir lost his left leg fighting in the Army of Bosnia and
Herzegovina, while Bosko lost his right leg fighting in the
Army of Republika Srpska. After the war, the two friends still
see each other. Every year, in the post-war time, they buy
shoes.
About Slobodan Leman
Slobodan Leman is an award-winning director
for short films. He has worked with well-known film directors
from former Yugoslavia, including Zivojin Pavlovic, Aleksandar
Petrovic, Boro Draskovic, Slobodan Sijan, Ademir Kenovic,
Stole Popov. Leman has worked on aproximately 45 feature film
projects as well as notable television series.
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Why Are You Not Here? (Sto Te Nema?),
Aida Sehovic and Gates Gooding, 2004, 5’
Why Are You Not Here? documents Sehovic and Gooding’s
own 2004 art installation in Sarajevo commemorating the 1995
Srebrenica massacre in Bosnia and Herzegovina. They used the
Bosnian ritual of gathering for coffee as a means of commemorating
those killed. Nearly 1000 cups of coffee were set out for
those who had been identified and re-buried to date, while
338 empty cups recognized those persons to be buried on that
anniversary day.
About Aida Sehovic and Gates Gooding
Aida Sehovic was born in Bosnia-Herzegovina and now lives
in Burlington, Vermont. She is a young artist with award-winning
solo and group exhibitions. Gates Gooding is currently a senior
at the University of Vermont. In addition to this film, he
just completed his first feature-length documentary, Bosnia
after Everything/Bosna, poslije svega, in collaboration with
Aida Sehovic.
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Crime and Punishment, Maria
F. Warsinski, 1998, 54', PG-17 strongly suggested
Using clandestine video footage taken in Bosnian town Srebrenica,
Maria Fuglevaag Warsinski presents a searing, moving visual
indictment of Radovan Karadzic and General Ratko Mladic, orchestrators
of the destruction of Srebrenica, the sight of the worst civilian
massacre in Europe since World War II. Utilizing startling
footage of the town's final days, Warsinski unflinchingly
documents the UN's final, bloody capitulation. Powerful interviews
are woven together with vivid descriptions of the impossible
journeys faced by the few civilians who made it out alive.
About Maria F. Warsinski
Born in Oslo, Norway, Maria F. Warsinski received her masters
degree as film director at the Polish Film Academy in 1991.
She has made short films and documentaries since 1987, and
has received several international awards.
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